Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Suites for Violoncello solo BWV 1007-1012 qui a été écrite pourVioloncelle. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50133. / Violoncelle / Partition

Nos 1 2 and 3 - Edition for Double Bass-Johann Sebastian Bach's 6 Solo Violoncello Suites BWV 1007–1012 - Vol.1 includes the works Cello Suite No. 1 in G major BWV1007 Cello Suite No. 2 in D minor BWV1008 Cello Suite No. 3 in C major BWV1009.

Sous-titre : Le Suites Per Violoncello Bwv 1007 - 1012 - Trascrizione e diteggiatura a cura di Paolo Cherici Compositeur : Johann Sebastian Bach Éditeur : Paolo Cherici Instrumentation : Guitare Édition musicale : Edizioni Suvini Zerboni

BWV 1007-1012 Quellenkritische Ausgabe für die Praxis-Suites (6) for (BWV 1007 - 1012) (Urtext). 3 volume edition: music text (Eng) 5 facsimiles.vc

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Convincing straightforward arrangement.Welcome addition to the solo Flute repertoire.Johann Sebastian Bach's Six Suites For Solo Cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the Flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the Cello suites will not onIy be a welcome diversion in the literature for solo Flute but pose a genuine challenge toevery flautist.

BWV 1007-1012. Par BACH JOHANN SEBASTIAN. / Date parution : 2021-11-03/ Répertoire / Alto

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Between 1717 and 1723 Johann Sebastian Bach composed Six Suites for Violoncello (BWV 1007 ??? BWV 1012). Of these the first three have been transcribed for Guitar in this coursebook. Between 1717 and 1723 Johann Sebastian Bach composed Six Suites for Violoncello (BWV 1007 ? BWV 1012). Of these the first three have been transcribed for Guitar in this coursebook which in itself is a considerable amount of work. For guitarists these compositions are a real challenge ? a challenge however that brings with it a lot of benefits. Because once you get to know them you get hooked on them and by playing them you?ll be able to considerably refine your playing technique. But believe me the pieces are so gripping that you?ll barely notice the effort! Every suite presented in this coursebook comprises sixmovements. The first of these is always a prelude followed by five dances. The CD attached to the coursebook presents every single one of the 18 movements in its full length in order to help you interpret them flawlessly.

All six of J.S. Bach's essential suites for unaccompanied Cello are arranged here for Bass Guitar in standard notation and tablature.Includes: Suite No. 1 in G Major BWV 1007 • Suite No. 2 in D Minor BWV 1008 • Suite No. 3 in C Major BWV 1009 • Suite No. 4 in Eb Major BWV 1010 • Suite No. 5 in C Minor BWV 1011 • Suite No. 6 in D Major BWV 1012.

Volume 1Sonata in G minor after BWV 1001AdagioFugaSicilianaPresto Partita in A minor after BWV 1002AllemandaDoubleCorrenteDoubleSarabandeDoubleTempo di BoreaDouble Sonata in A minor after BWV 1003GraveFugaAndanteAllegro Sonata in A minor after BWV 1003 alternative version in a scordaturaGraveFugaAndanteAllegro Partita in D minor after BWV 1004AllemandaCorrenteSarabandaGigaCiaccona Sonata in C major after BWV 1005AdagioFugaLargoAllegro assai Partita in F major after BWV 1006PreludioLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue Suite in C major after BWV 1007PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in A minor after BWV 1008PreludeAllemandeCouranteSarabandeMenuet 1Menuet 2Gigue Suite in G major after BWV 1009PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in B flat major after BWV 1010PreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in A major after BWV 1010 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeBourée 1Bourée 2Gigue Suite in G minor BWV 1011/995PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in D major after BWV 1012PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Suite in C major after BWV 1012 alternative version in a scordaturaPreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2Gigue Partita in A minor after BWV 1013AllemandeCorrenteSarabandeBourée Angloise Volume 2 Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte 1Gavotte 2 en rondeauGigue Suite in E minor (BWV 996)Præludio (Passaggio, Presto)AllemandeCouranteSarabandeBouréeGiga Suite in C minor (BWV 997)Fantasia (Prelude)FugueSarabandeGigaDouble Prelude, Fuga and Allegro in E flat major (BWV 998)PreludeFugaAllegro Prelude in C minor (BWV 999)Prelude Fuga in G minor (BWV 1000)Fuga Partita in E Major (BWV 1006a)PreludeLoureGavotte en rondeauxMenuet 1Menuet 2BouréeGigue APPENDIX I: TABLATURES FROM BACH’S CONTEMPORARIES Suite in G minor (BWV 995)PreludeAllemandeCouranteSarabandeGavotte IreIIde Gavotte en RondeauxGigue Suite in C minor (BWV 997)FantasiaSarabandeGiga Fuga in G minor (BWV 1000)Fuga APPENDIX II: SACRED WORKS WITH OBBLIGATO LUTE PARTS AND RELATED WORKS Aria: Komm, süßes KreuzLiuto Arioso: Betrachte, meine Seel’Liuto / Luth / Le Luth Doré